Steve Albini, a pioneering figure in alternative rock and renowned producer who influenced the music scene with his work with Nirvana, the Pixies, PJ Harvey, and others, has passed away at 61. Brian Fox, an engineer at Electrical Audio Recording, Albini's studio, confirmed on May 8 that Albini died due to a heart attack on May 7th night.
Aside from his contributions to iconic rock albums like Nirvana's ‘In Utero,’ the Pixies' ‘Surfer Rosa,’ and PJ Harvey's ‘Rid of Me,’ Steve Albini was also known as the frontman for underground bands Big Black and Shellac.
He rejected the title of ‘producer,’ opting instead for ‘Recorded by Steve Albini’ in album credits. He famously declined royalties for his work. At the time of his passing, his band Shellac was gearing up to tour in support of their first album in ten years, ‘To All Trains,’ set to release the following week.
Albini's impact extended to diverse acts such as Joanna Newsom, the Breeders, the Jesus Lizard, Hum, Superchunk, Low, and Mogwai.
Born in California and raised in Montana, Steve Albini discovered Chicago's DIY punk scene while studying journalism at Northwestern University.
During his teenage years, he played in punk bands, and in college, he wrote about music for the influential indie zine ‘Forced Exposure.’ In the early '80s at Northwestern, he founded Big Black, a post-punk band known for its abrasive sound, provocative lyrics, and use of a drum machine instead of a live drummer, a controversial choice at the time. Their best-known song, the intense and lengthy ‘Kerosene’ from the 1986 album ‘Atomizer,’ exemplifies Albini's bold and boundary-pushing approach.
Following Big Black, Albini briefly fronted the controversially named band Rapeman. In the early '90s, he then formed Shellac, a fierce noise-rock band that evolved from Big Black's style, featuring aggressive vocals and pummeling guitar tones.
In 1997, Albini established his studio, Electrical Audio, in Chicago.
Albini is survived by his wife, Heather Whinna, a filmmaker.
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